Veteran journalist Robby Robinson
(Michael Keaton) is the Spotlight group's hands-on leader, but he
equally shares the grunt work with the other team members, including
Michael Rezendes (Mark Ruffalo) and Sacha Pfeiffer (Rachel McAdams, sans
makeup). Spotlight had been working on a big police corruption story,
but when new Globe editor-in-chief Marty Baron (Live Schreiber) arrives
on the scene from Miami, he soon has the quartet shifting gears to probe
some puzzling circumstances surrounding claims of priest pedophilia
from decades ago.
The biggest hurdle standing
in the way of the journalists' quest for the truth is not the lapse of
time between the alleged acts and the present day. Instead, it is the
reluctance, followed by the resistance, of people directly or indirectly
associated with the Catholic Church to cooperate with the Spotlight
investigation. Included among that group of people are some of the
directors of Catholic Charities, who feel that any expose of church
misconduct will undermine the nonprofit's philanthropic mission.
Potential witnesses, particularly older folks, refuse to provide
information because of their misguided allegiance to the Church, which
plays an important role in their lives. Still other obfuscators are
attorneys who hide behind attorney-client privilege or obscure privacy
laws, and relatives of the suspected priests, hoping to let sleeping
dogs lie.
Nevertheless, the Spotlight team is a
band of intrepid investigators who, perhaps at the risk of their own
career suicide if not their physical well-being, are not afraid to keep
digging. They realize they are taking on one of the most powerful
institutions in the city, if not the entire country. They pursue leads
and cleverly connect seemingly unrelated evidentiary nuggets of
information. When they reach the point where they realize that the
highest levels of the archdiocese are complicit in the crimes, the
tension mounts. Adding to the drama is the slowly unfolding realization
that someone on the Globe staff itself may have buried leads to which
concerned readers alerted them years before.
Two of
the Spotlighters, Robinson and Rezendes, are native Bostonians. People
they've known all of their lives strongly urge them to quit their
attempt to resurrect the cold cases. Friendships and long-standing
business relationships are threatened. Some opine that it is the
outsider, new editor-in-chief Baron, who is stirring the pot, not being
appreciative of "all the Church has done for the city."
Keaton
is convincing as group leader Robinson, a veteran newsman who doesn't
let one dead end or uncooperative source dissuade him from carrying on.
He is dogged and feisty, and fits my stereotyped notion of a brash
Bostonian. Schreiber as top man Baron plays it straight, reminding me
of a younger Harrison Ford. He balances being the man with the veto
power with simultaneously being the new kid on the block, listening
carefully to the input of his subordinates before making decisions with
historic consequences. Most of the good lines go to Ruffalo's Rezendes,
particularly when he wants the Spotlight team's discoveries to go to
print immediately against the wishes of his boss, Robinson. Stanley
Tucci lends strong support as Mitchell Garabedian, a stressed out lawyer
who represents many of the victims who, in their youth, were abused by
priests and have psychologically suffered ever since.
People
who live in the Twin Cities are quite familiar with this shameful black
mark on the Church. In fact it seems every year we learn of more
diocese across the US where the transferring of pedophile priests from
one parish to another was commonplace. Were it not for the courageous
investigations by the Boston Globe, followed by other media
organizations, it's likely this sick practice would have been even more
rampant.
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