Wednesday, December 28, 2016

Four Days In The Corn, Part I: The Land Of Ole & Goliath

For many Minnesotans, heading south for a winter break is as natural as going "up to the lake" in the summer.  Which southern sojourn did Momma Cuandito and I consider this season?  The list of possibilities included Mexico, the Caribbean, Arizona and Florida.  Even Cuba got a mention.  We chose Iowa.  It's more than where the tall corn grows.
 
Decorah.  For several years we passed through Decorah when our daughter, Jill, attended Loras College in Dubuque.  Both of those cities reside on US Highway 52.  Usually we zipped through, or even by-passed, Decorah in our hurry either to get to Jill or to return home, but on those few occasions when we did make a stop in Decorah, including once for a swim meet when Jill swam for the Duhawks against Luther College, we recognized it as a town worth visiting.  In addition to Luther, this small city is home to two other well known points of interest, the Vesterheim Museum and Toppling Goliath Brewing Company.
 
We arrived early on a Monday afternoon and checked into our Air B&B, Vossheim.  Located on a residential street a few minutes south of downtown, Vossheim is owned by a friend, Linda, whose mother lived in that house for ten years.  The Norwegian word "heim" means "house," and "Voss" refers to the family's ancestral village back in the homeland.  The one-level rental quarters features two bedrooms, one and a-half bathrooms, a huge updated kitchen and a comfortable living room.  Flying in the breeze outside the front door is the flag of Norway.
 
My inclination is to make Toppling Goliath our first stop, but we both acknowledge the folly of such a plan.  It just might be too hard to leave.  So instead, we decide to check out what downtown has to offer.  The main drag in Decorah is Water Street, "not Main Street" as a few locals advised us.  For a small city, Decorah's shopping district along Water Street extends for more blocks than I would have guessed.  It kind of reminds me of Galena, Illinois, a regional shopping mecca, although Decorah is smaller.  Most of the buildings lining Water Street are dark brown two story structures, housing gift shops, clothing stores, art galleries, book stores, cafes, bars and banks.  Oh boy, there is no shortage of banks.  The money must be rolling in from many of the hundreds of nearby farm families.  Radio station KVIK plays classic rock from its studio across the street from the Vesterheim at the west end of Water.  Shades of American Graffiti?  The Winneshiek Hotel is the place to stay if you're looking for conveniently classic lodging.
 
It is not hard to spend half a day downtown, and that's not even including the Vesterheim, which is on our agenda for tomorrow.  Since I became a grandparent I have developed an entirely new outlook on shopping.  My old strategy, pre-grandkids, would be to suck down a beer or two in a bar while Momma Cuan visited the stores.  Now, I actually go into many of the stores with her, not to shop for myself but to see if there's any potential purchase with the beautiful granddaughters in mind.  It isn't until that curiosity has been satisfied that I step outside and wait for my better half.
 
After popping into a few Water Street stores like Modish, Revelation, J.Tupy's  and Margaret's, it's at last time to quench our thirst. The lucky denizens of Decorah are blessed with two microbreweries. So many brews yet, for us, so little time. We decide to save Pulpit Rock for another visit -- I'm confident there will be one -- and make a beeline for Toppling Goliath, just across the bridge spanning the Upper Iowa River from downtown.
 
Walking into Toppling Goliath, we immediately sense a cozy atmosphere.  We sit at the small bar, as is our custom in any tavern, and it doesn't take long for the fellow next to me to ask where we are from.  Did our Minnesota accents give us away, or are we the only strangers in the bar?  I suspect the latter.  It turns out the inquisitor knows the same family that owns our b & b; that family, the Istads, also owned the Whippy Dip ice cream stand in town.
 
My pre-trip research for Toppling Goliath has consisted of reading a 2015 article from the Chicago Tribune, in which it was reported that a Beer Advocate survey named seven TG beers among the top one hundred in the world.  Another website, RateBeer, calls TG's Kentucky Brunch the "second best beer in the world."  I am not too disappointed that Kentucky Brunch is not available during our visit, because its style, imperial coffee stout aged in whiskey barrels, isn't one of which I'm fond.  I do find a few draughts to my liking today, particularly an American pale titled Pseudo Sue.  I wouldn't know a citra hop if it was sitting right in front of me, but its refreshing taste is the keynote to the delectable Pseudo Sue.  Momma Cuan hedges her bets by ordering a flight of six small pours of different offerings.
 
We strike up a conversation with a couple at the bar who tell us they live within walking distance of both TG and Pulpit Rock.  Location, location, location!  I am envious.  When they ask how we'd found out about the TG tap room, I show them the Tribune article, pointing out that the story includes reference to a husband and wife, Tim and Carol Stoddard, whose practice is to bring growlers of TG beer with them on road trips to share in other breweries' tap rooms.  The couple laugh and inform us, "Yeah, we are Tim and Carol."
 
Our fellow beer drinkers are quick to offer their suggestions on Decorah restaurants for us to have dinner.  Some even call a place or two to determine if they are open on Monday; others give us directions.
 
The downtown bistro, La Rada, is our choice.  There, we are seated at the room's best table, tucked into a nook next to a ten foot high bay window.  The outdoor Christmas season scene, with a light snow falling against a twilight sky, could be a postcard.  We enjoy everything about our dining experience, from the tatted up server who totally digs our desire to ease through cocktails before ordering, to the hum of conversation among fellow diners, to Mary's penne with lamb and my flank steak.
 
Back at Vossheim, I magnanimously tell Mary that we should watch the last hour of her favorite show, The Voice, instead of the Monday Night Football Game.  The fact that Vossheim's cable TV package does not include ESPN has absolutely nothing to do with my suggestion.
 
***
 
Our first stop Tuesday morning is back downtown to Impact Coffee on Washington Street, next door to La Rada.  I have been to dozens of coffee shops in the Twin Cities, and I would place Impact right up there with the best of them.  The space is divided into two rooms.  The front is equipped like NASA's Mission Control in Houston.  You must need an advanced mechanical engineering degree to know how to use all their heavy duty coffee brewing gizmos.  We settle for lattes and a couple of scrumptious apricot almond scones that melt in our mouths.  An artsy arch between Corinthian columns separates the front room from the back, where all the comfy chairs are found.  Colorful paintings by local artists adorn the walls of both sections.  If we weren't headed for the Vesterheim, I would camp out on one of Impact's sofas for sure.
 
The Vesterheim is the national Norwegian-American museum, hosting over 24,000 artifacts.  The main building, which is the only one of the twelve open year round, is spread over four levels in a grand old brick structure.  The English translation of the museum's name is "western home."  The first floor focuses on the life that the Norwegians had before emigrating to the States.  Because of their rural cold weather environment, it was a hard existence.  On top of that, their government imposed many restrictions which they were eager to escape by heading across the Atlantic.  The first to do so was a group of fifty-three brave souls in a fifty-four foot sloop christened the Restauration, on which they sailed west in 1825.  A large replica of the Restauration and two other ships are displayed on Vesterheim's first floor.  One of those other ships is the actual Trade Wind (not a replica), the twenty-five foot vessel sailed to America in 1933 by the Hamran brothers, Harald and Hans.  Ships like the Restauration were crowded, limiting the physical possessions the new settlers could bring with them to the new land.  The museum teaches us that the most valuable assets those people had were not what they could stuff in a trunk.  Rather, it was their stories, artistic and mechanical talents, music, recipes and other elements of their Nordic culture which now live on, two centuries later.
 
The second floor picks up the narrative once the Norwegians have reached the New Land.  Two of the museum's most interesting displays are houses located on the first two floors showing a typical family residence both in the old country (on the first floor) and in America (second floor).  The Norwegians were expert craftsmen, as evidenced by the many pieces of furniture in the museum.  Cabinets, tables, desks, chairs, stools, and wardrobe chests are just some of the items housed at Vesterheim.  The folk art known as rosemaling, the practice of decorative painting, adds appeal to things like headboards, walls, lampshades, table tops, picture frames, even refrigerator doors.  The early Norwegians were also master wood carvers and jewelry designers.  Hundreds of those artifacts are displayed nicely on the second floor.
 
The third floor is primarily devoted to beautiful textiles, while the basement level concentrates mostly on military exhibits.  A fascinating narrative describes how many young Norwegian men were drawn into the War Between The States, fighting for both sides, even though they were new to the country and did not share the passions which drove most of their fellow soldiers.  Another basement exhibit details the 99th Infantry Battalion in World War II.  This battalion, comprised of about a hundred Norwegian Americans, were expert skiers and mountaineers who helped liberate Norway from Nazi control.
 
Once we are inside the Vesterheim gift shop, it is hard to leave.  I could spend an entire paycheck -- if I had a paycheck -- going crazy buying fabulous sweaters, knit stocking hats, books, dolls, games, toys and souvenirs.  As you might expect in this town heavily populated by Norwegians, there are entire sets of Ole and Lena cards with humor in varying degrees of taste, good and bad.  Exercising a little self discipline, we escape without too much damage to our pocketbooks.
 
For lunch we decide on a place recommended to us last night by our new friends from Toppling Goliath.  It's the Good Times Grill, located just down the College Drive slope from TG.  Good Times is what I would call a nice sports bar, if such a label is not an oxymoron.  I am impressed with their food choices, and end up with a chili and tacos combo.   My gold standard for chili has been Pecos River Hot from the Loon in Minneapolis.  (The Loon's menu description for their Pecos River is, "No beans, no B.S.")  I am happy to report that Good Times' recipe edges closer to the Loon's than 90% of all the other chili I've had.  My only disappointment with Good Times is that I am unable to sample the beer from their ample list, due to this afternoon's travel plans.
 
Speaking of beer, our last stop before we head out of Dodge is to return to TG to pick up a couple of bombers for our birthday boys, Luke (November 26) and Michael (November 28.)  Being risk-averse, I choose Pseudo Sue which, based on last night's experience, I know the young lads will enjoy.  I also pick up a tall boy four pack of Golden Nugget, one of TG's two widely acclaimed IPAs (the other one being Intergalactic Warrior), for my own consumption.  As we pull out of town I am proud of myself for remembering to bring a cooler from home.  Got to protect the newly acquired precious cargo!
 
Iowa City.  I would be remiss if I did not give a tip of the hat to northeast Iowa.  This is not your father's farmland.  Traveling south from Decorah to Iowa City requires negotiating over ninety miles of country highway, mostly on State Route 150, before hooking up with Interstate 80 near Cedar Rapids for the last short leg.  Although the crops have been harvested long before this late November afternoon, there is no mistaking the beauty of the rolling hills, the plentiful trees -- yes, trees! -- and the well kept farm houses that dot the landscape.  I can't help but make the mental comparison of what we are viewing to the northeast quadrant of North Dakota.  There the land is flat, the farm houses are miles apart, and the one tree is barely visible near the horizon, about fifteen miles from the road.  I love both parts of the country, the undulating topography of Iowa and the wide open plains of North Dakota.  Public Service Announcement:  If time permits, get off the interstate and enjoy the view!
 
Now that I'm in the twenty-first paragraph of this post, I suppose it's about time I disclose the main reason for our Iowa excursion.  Since the turn of the century, the Notre Dame women's basketball program, under the leadership of head coach Muffet McGraw, has established itself as one of the top two in the country, behind only perennial power UConn.  This season the Irish are ranked # 1 in the pre-season polls, and have won their first six games so far.  They have only one regular season game scheduled west of the Mississippi River, and that happens to be against the Iowa Hawkeyes.  What better reason for us to head south?  This will be the first time Momma Cuan and I have ever seen an Irish Lassie game in person.  Tip off is tomorrow night in Carver Hawkeye Arena.
 
We pull into Iowa City around 6:30 p.m., surprised Iowa City has any rush hour at all, let alone one that extends past 6:00.  We are reminded of home as we come upon downtown, where construction has blocked several streets and detour postings are everywhere.  We are staying at the Sheraton in the heart of downtown on the pedestrian mall.
 
Both of us are in the mood for Italian food, and there are two ristoranti within a few blocks.  We select Baroncini, which we find out after the fact from the hotel concierge is the preferred choice of the dual option.  (Don't ask why we checked with the concierge after, instead of before, we ate; that's just how we roll.)  My first impressions once inside the place are (i) nice but unremarkable ambience, and (ii) wonderful aromas pervading throughout.  Pre-dinner cocktails seem like a good, even if not novel, idea, so Momma Cuan chooses an Americano while I opt for a Bloody Boulevardier, which is made with bourbon, campari and sweet vermouth.  After enjoying a few sips, our server inquires how I like the drink, to which I respond positively.  He is proud to announce that he is the one who talked Baroncini's management into putting that concoction on the cocktail menu.
 
Momma Cuan enjoyed her hanger steak entre.  I keep to my personal tradition of ordering a pasta dish whenever I'm in an Italian restaurant.  This time it is agnolotti di Manzo.  Molto buona!  I am also impressed by the fact that Baroncini has Moretti Rossa on tap.  Not all Italian eateries do.
 
Our final stop of the night is to locate a sports bar to check on the Notre Dame vs. Iowa men's basketball game, which is being played in South Bend as part of the ACC-Big 10 Challenge.  We retrace our steps to the pedestrian mall and land in Brothers, a chain-operated watering hole across the street from our hotel.  Apparently Hawkeye Mania has not overtaken Iowa City, because only one of several TV screens is tuned to the game on ESPN.
 
I find it interesting to note the differences between the schools' veteran head coaches.  Mike Brey, the Irish boss, is about as congenial and easygoing as any coach in Division 1.  He rarely raises his voice, remaining calm even when a game is unraveling.  He is gracious with the media, possibly preparing for a post-coaching career in broadcast journalism.  Sometimes his announcer buddies make fun of his attire -- he used to be known for his mock turtlenecks -- and his recent "look," an unshaven countenance.
 
The Iowa Hawkeyes are coached by Fran McCaffery who, like Brey, is fifty-seven years old.  With his silver hair and expensive suits, McCaffery looks more like a Wall Street banker than a gym rat.  It's no real surprise that he holds an economics degree from the Wharton School Of Business.  I always enjoy watching Fran in action because he is hot tempered and not afraid to pick up a technical foul if he thinks his team needs a spark.  He is the quintessential feisty Irishman.  McCaffery has a twofold Notre Dame connection.  He was an assistant coach at Notre Dame for eleven years, starting in 1986.  Also, his wife, the former Margaret Nowlin, was a superior basketball player for the Irish.  On this night, Fran's Irish heritage, coaching resume and relationships do not provide him or his team enough luck.  The Hawkeyes are outmanned and fall to ND, 92-78.

Tuesday, December 13, 2016

Movie Review: "Sully"

"Sully": B-.  One of the observations I usually make when driving to the airport to catch a plane is the amount of cloud cover.  If it is clear, I always announce to Momma Cuandito, "It's a good day to fly."  I'm sure she appreciates those insightful proclamations coming from someone who is neither a meteorologist nor a pilot.  After having seen Sully, I might have to start watching for birds, not just the clouds, before I say anything.  Of course, I am not an ornithologist either. 

Sully, directed by Clint Eastwood, tells the story of the US Airways captain, Chesley Sullenberger (Tom Hanks), who thought he was on his way from New York City's LaGuardia Airport to Charlotte, but ended up landing less than six minutes after takeoff in the Hudson River.  A flock of birds had struck the plane and disabled both engines.  One hundred fifty-five passengers were on board; only a very few were injured, none fatally.  All are rescued by various commercial and Coast Guard boats and NYPD helicopter crews before the aircraft slowly sinks to the river's floor.

Almost all of the story focuses on the grilling inquiry of Sullivan and his first officer, Jeffrey Skiles (Aaron Eckhart), by the National Transportation Safety Board (NTSB).  The board's goal is to determine whether Sullivan made the correct decision to go for a water landing when he was only minutes away from returning to La Guardia or else choosing a vacated runway at nearbyTeterboro, New Jersey.   Not only is Sullenberger's career at stake, but so are millions of dollars which the airline's insurers will be reluctant to pay.  The NTSB's ultimate verdict concerning the cause of the near disaster -- pilot error, mechanical failure or an act of God -- will be the critical evidence in any insurance-related litigation.

The juxtaposition between Sully the life saving hero in the eyes of the adoring public, and Sully the alleged poor decision maker, could not be more stark.  Eastwood's depiction of the NTSB as being heavy handed, pre-judgmental, unappreciative and unsympathetic are over the top.  The board members may as well have been wearing black hats with bandanas over their faces.  Because the story is told more like a documentary than a narrative, we viewers have to wonder whether NTSB investigators are that inhumanely driven in real life.

It is also hard to accept, as the movie would have us believe, that the flight simulations shown near the end of the film --the "big finish" -- were not previewed by either the NTSB or by Sully, Skiles and their lawyers before displaying them in a public hearing.  Speaking of lawyers, are we to believe the pilots go into a hearing like this without a cadre of counsel?  I guess in Hollywood they do!

I acknowledge, as I've done before, that when a filmmaker takes on a project like this where practically everyone knows the ending before entering the theater, keeping the viewers entertained anyway is a unique challenge.  Having "said" that, in addition to what I believe to be a ridiculous portrayal of the NTSB, Sully has much room for improvement.  What follows are three quick examples.

The phone calls between Sully and his wife, Lorraine (Laura Linney), are poorly written and serve no purpose other than to cause us to think that Mrs. S was more worried about a handful of relatively insignificant problems in her own little world than grasping the enormity of what her husband was enduring.  Second, there is no tension whatsoever between pilot Sullenberger and first officer Skiles.  They each have the other's back, and there is no disagreement or second-guessing between them either during the aborted flight or the investigation.  Maybe that's how things actually stood between the two men, but a little tension would have improved the story.  Third, there is a half-hearted attempt to personalize the passenger manifest by introducing a mother-daughter couple and a trio of guys on their way to a Carolina golfing vacation.  Perhaps this is an attempt by Eastwood and writer Todd Komarnicki to emulate the 1970's film Airport which had several interesting passengers, among them Helen Hayes who won a Best Supporting Actress Award for playing a habitual stowaway.  Unfortunately, the Sully side characters are not in the same league as Ms. Hayes.

On the plus side, the reenactment of the crash, which Sully insists be referred to as "a water landing, not a crash," is engrossing, as are the rescue efforts to pluck the passengers before they drown or become hypothermic from the January waters.  Kudos to the casting and  costume teams for selecting and clothing Hanks to look like the real Sullenberger.  You can make that comparison for yourself if you stick around to see the closing credits.  Sullenberger and his wife appear on screen, as do many passengers who identify themselves by their respective seat numbers.

Thursday, December 8, 2016

Movie Review: "Manchester By The Sea"

"Manchester By The Sea": B.  When our three children were little, Momma Cuandito and I used to board separate flights to the same destination in order to lessen the odds of leaving them orphans.  When the kids reached grade school we finally executed wills, something we should have done years before.  One of the most important decisions young parents make when creating a will is naming a lucky (?) person to be their children's guardian if catastrophe should strike.  My sister lived in New Jersey and Mary's brother already had five kids.  The logical choice was Mary's single sister, The Great Aunt Margaret.  But we did not spring a surprise on Margaret by naming her as guardian without first discussing the plan with her.  Our strategy was first to ply her with wine at Champp's Bar in Richfield before popping the question.  The strategy worked; she happily -- ironically after shedding a tear -- said "yes."  Fortunately we ended up not having to put her parenting skills to the test.  Now all three of our kids are in their thirties, and Mary and I are still around to bear witness.

In Manchester By The Sea, Lee Chandler (Casey Affleck) is not so lucky.  His older brother, Joe Chandler (Kyle Chandler, who I assume is no relation as this is a work of fiction), has died suddenly although not totally unexpectedly due to a heart condition, and Lee does not learn he is the named guardian of Joe's sixteen year old nephew until Joe is chilling in the hospital morgue.  This manifestation raises a host of problems while setting up a rather unique dynamic.
 
A major issue is logistics.  The nephew, Patrick (Lucas Hedges), lives in Manchester by-the-Sea on the northeast Massachusetts coast, while Lee lives in distant Quincy, a gritty Boston suburb.  But even more problematic is the tainted history Lee has left behind in Manchester.  There is a reason he has moved away from the town where he grew up.  Writer-director Kenneth Lonergan keeps the viewers in the dark, teasing us with hints of Lee's ignominious past.  For example, there are two or more early scenes in Manchester when people with hushed voices say, "So that's the Lee Chandler," as if he were an infamous celebrity.  We also know from copious flashbacks that at one time both Lee and Joe were married but are now divorced.  Their ex-wives are Randi (Michelle Williams) and Elise (Gretchen Mol), respectively.  Placing Patrick with his unstable mother, Elise, is out of the question.  Arguably she is even more ill-equipped to raise a teenager than is Uncle Lee.
 
The dynamic between Lee and Patrick is not of the type often explored in the movies.  Their nexus might be described as "adult vis-a-vis almost adult."  Patrick is not some helpless little child nor is Lee a single parent who will simply add one more kid to his brood.  Their uncle-nephew relationship has always been solid, a fact driven home by flashback scenes of the two of them fishing together on Joe's boat when Patrick was about ten years old.  Now he is a junior in high school, a hockey player and a rock band member with two girlfriends, neither of whom knows about the other.  At sixteen he is legally, if not developmentally, too young to live without supervision, yet he talks and usually acts like an adult.  Most of the time, Lee and Patrick's dialogue resembles exchanges between equals.  Even without his own personal challenges, such as anger management, Lee will be severely burdened if he fulfills his dead brother's wishes.
 
I found the writing and the editing of this film to be inconsistent.  A good example of the latter is a four minute scene in the third act which is comprised of Lee picking a fight with a fellow bar patron who brushes past him.  A wild melee ensues.  Much earlier in the story, a virtually identical barroom brawl is portrayed.  The second time around should have not bypassed the editor's scissors.
 
As for the script writing, I submit for your consideration an excerpt from a review I wrote to my kids on November 29, 2011 concerning Like Crazy, a movie about a college couple, Jacob and Anna, who fall in love:

There is an important scene about three-fourths of the way through the movie where Anna has a crucial face-to-face dialogue with a character named Simon.  But guess what?  We only see them talking; no audible dialogue!  In my humble view, that is lazy script writing, and is the largest negative for me.  It reminded me of a courtroom drama I saw called "Anatomy Of A Murder."  That movie shows testimony from many witnesses, but we never get to see or hear star defense counsel Jimmy Stewart give his closing argument (even though one of the characters states that it was the best closing argument he'd ever heard).  My point is this:  If one of the main characters in a movie has something in the way of a "game changer" to say, I want to hear it.

Now, why do I bring that up here?  Because Manchester's script is guilty of the same offense.  (I might call it the Anatomy Of A Murder Syndrome.)  The most heart-rending moment in the story is a late scene dialogue between Lee and his ex, Randi, in which the crying Randi apologizes for "the awful things I said to you."  Yet the very words Randi is apologizing for are never heard by us!  In a movie with a running time of two and a quarter hours, surely that earlier conversation should have been included for the viewer's benefit.
 
The first half of the story could have used a chuckle or two, but they're all saved for later.  The movie almost turns into a comedy past its half-way point.  When Lee drops Patrick off at his girlfriend Silvie's (Kara Hayward) house for a purported study date, Patrick encourages his uncle to accept the dinner invitation of Silvie's mother, Jill (Heather Burns), so that Lee can keep Jill occupied, thus enabling Patrick and Silvie to make out alone without the mother's intrusions.  In a different scene, when Lee insists that he has to live in Quincy instead of Manchester so he can keep his maintenance engineer job, Patrick replies, "Why?  You're a janitor!  There are plenty of clogged drains and stuffed toilets in Manchester that need clearing."  The first hour of the story needed such infusions of humor for a better pace.

The beautiful cinematography by Jody Lee Lipes  is not enough to raise this hyped movie above a B.  Lee Chandler is too deadpan to watch over the course of two-plus hours.  In the first few minutes of the film, a beautiful brunette intentionally spills a drink on him in a bar in a vain attempt to start a conversation.  Lee does not pick up the aggressive hint.  Much later, Jill becomes exasperated when Lee proves incapable of carrying on a simple conversation.  The needle never lifts off the zero line much when gauging Lee's personality.   A more interesting character than Lee is Randi.  Yet, despite the misleading promotions and posters announcing Michelle Williams as a co-star -- The Guardian's review even suggests her performance might be Oscar-worthy --  Williams is on the screen less than ten minutes.  Maybe a sequel with Randi as the protagonist will be in the offing.  Meanwhile, Manchester might legitimately be called a love story, but the focus is not the relationship between husband and wife; rather, it's the one between uncle and nephew.