Thursday, April 17, 2014

Movie Review: "Draft Day"

"Draft Day": A-.  Baseball is the National Pastime, but pro football has taken over as the most popular sport in this country.  The reasons are many, some having to do with the physical contact, the action, the pageantry, the popularity of the college game spilling over to the rest of a weekend, gambling, fantasy football, and the scheduling of just one "big game" a week.  The NFL's "hard" salary cap, which unlike baseball severely punishes any franchise making the mistake of exceeding the league-imposed payroll limit, is one of the keys to creating parity among the teams in the league.  (For more about parity in the NFL, see my April 25, 2012 post, The NFL Sells Hope.)

The NFL also does a tremendous job of keeping itself on the sports pages even during the offseason.  You have periods of free agent signings, the big annual scouting combine in Indianapolis at which invited prospects can strut their stuff in front of scouts, "pro days" during which individual players display their wares on their own college campuses in front of another host of scouts, contract renewals of players with their own team, and trades.  But the offseason day which holds the fascination of pro football fans every spring is "draft day," the day (now, evening prime time) on which the first round of the NFL draft of college players is conducted in Manhattan's Radio City Music Hall. The day, which this year falls on May 8, has justifiably been called one of the two biggest non-playing days on the sports calendar (the other being NCAA basketball's Selection Sunday in March).
 
The movie Draft Day successfully renders the aura and spectacle of the event.  Kevin Costner plays Sonny Weaver, Jr., the beleaguered general manager of the Cleveland Browns.  He has a hands-on owner (Frank Langella) who loves being in the spotlight concomitant with having the first overall pick in the draft, and an irascible coach (Denis Leary as Coach Perm) who can't help showing off the Super Bowl ring he won as an assistant with the Cowboys before being hired by Sonny's predecessor as the Brown's head coach.  Of course, the reason the Browns have the first pick in the draft is because they were the worst of the thirty-two NFL teams last season.  Sonny's job is to fix that; he can't afford to make a mistake with his pick.
 
As the GM of the team with the first overall pick, Sonny is constantly on the phone, listening to offers from other GMs who want to make a deal.  It is an interesting relationship, and makes one wonder if there is any honor among thieves. Most GMs would lie to their mother to gain the upper hand in a deal.  Some are ethical and trustworthy but many are scoundrels.  Professional courtesies only extend so far.  To add to the pressure, Coach Perm does not want the team to draft the consensus top college quarterback, cocky Bo Callahan (Josh Pence) from Wisconsin, because Perm hates working with rookies, and besides, he likes the QB the Browns already have, veteran Brian Drew (Tom Welling).
 
Jennifer Garner plays Ali, the Browns' salary cap wonk by day, Sonny's secret girlfriend by night.  The few comic moments in the film include the couple's periodic rendezvous in a small equipment closet close to Sonny's office. They are usually interrupted by the geeky new intern, Rick (Griffin Newman).  Luckily those moments were short enough to allow the story to keep going.  Time can't be wasted and the countdown clock is always ticking.
 
As I've written on a few other occasions, I enjoy works of fiction which use real persons, places and things as opposed to fabricated locales or organizations.  This is a strong point of Draft Day.  The Browns and the other teams involved in the story, like the Seattle Seahawks, the Houston Texans, the Kansas City Chiefs and the Buffalo Bills, are real NFL franchises. There are several cameo appearances by such NFL and television luminaries as ESPN's Chris Berman and Jon Gruden, Commissioner Roger Goodell, and former players Neon Deion Sanders and the great Jim Brown.  The viewer feels like she is truly behind the scenes on one of the sport's biggest stages.
 
One additional "plus" is that there is not much time at all spent showing action on the field of play; just a few clips of highlights regarding three or four prospects.  Interpretation of the dialogue does not require any prior knowledge of football jargon.  One does not have to be a pro football fan to enjoy the story.  Wheeling and dealing and verbal confrontations take place in many kinds of businesses.  The business at hand in this movie happens to be professional football, which makes it all the more interesting.
 
Draft Day has been compared in some respects to 2011's Moneyball, to which I also gave a (pre-blog) rating of A-. While the older film was a little more technical, the comparison is a good one.  Both movies are about dashing general managers (Weaver played by Costner, and "real life" Oakland A's GM Billy Beane played by Brad Pitt) who try to outmaneuver their rival counterparts, while at the same time having conflicting philosophies vis-a-vis their head coach/manager (Coach Perm played by Leary, and "real life" A's manager Art Howe played by the late Philip Seymour Hoffman).  Regrettably, both movies also contain a totally needless side story.  In Draft Day it's Weaver's relationship with his annoying widowed mother (Ellen Burstyn); in Moneyball it's Beane's relationship with his twelve year old daughter.  If you are into do-it-yourself double features, those two movies together would make a great pairing.    

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