Monday, March 31, 2014

Quarterly Cinema Scan - Volume XV


One of the most critically acclaimed movies of 2013 was American Hustle (reviewed here on January 6, 2014, B+), a story loosely based on the real life Abscam scandal from the late seventies.  As I noted in my review, the story is pretty complicated, and expending too much energy attempting to follow the convoluted money trail is not a suggested course of action for most viewers.  All you need to know is a general sense of what's happening.  Otherwise, sit back and enjoy a great cast performing in a highly entertaining tale.

I was reminded of this when I recently watched Body Heat for the first time since its original release in 1981.  The story centers on a murder scheme between a lawyer of questionable skills and his "hot" mistress.  The target is her megabucks husband who, conveniently, is almost always on the road.  About half-way through the story, the viewers are introduced to an ancient legal principle called The Rule Against Perpetuities, a concept to which I have never given a second thought since I took Real Property in my first year of law school.  Thankfully, even though key references to The Rule are made off and on throughout the second half of the film, the movie viewer does not have to know precisely what The Rule is to follow the clever script.  All you should be aware of is that a carefully drafted will won't contain any bequest which violates The Rule.   If you pay close attention to the conversations in which The Rule is mentioned, that will suffice.  No need to consult Black's Law Dictionary.  

Here are the movies I've seen on TV during the first three months of this year.       

1. Body Heat (1981 drama; William Hurt is a mediocre small town Florida lawyer who conspires with sexy Kathleen Turner to bump off her rich husband, Richard Crenna.)  A

2. Dallas Buyers' Club (2013 drama; Matthew McConaughey is a Texas rodeo cowboy who contracts AIDS and battles the FDA when he discovers that Mexican pharmaceuticals, outlawed in the US, provide effective treatment for his disease.) B

3. The Departed (2006 cop drama; Leo DiCaprio is an undercover state cop embedded with the Boston mafia led by Jack Nicholsson, and Matt Damon is a "rat" inside the Boston city police department.) B+

4. Heaven Knows, Mr. Allison (1947 war drama; Robert Mitchum is a Marine corporal who washes ashore on a south Pacific island, inhabited only by nun Deborah Kerr.) A

5. Lillies Of The Field (1963 comedy; Sidney Poitier is a solo traveler who stops by an Arizona desert convent and gets talked into building a chapel for five German nuns.) B

6. Marty (1955 drama; Ernest Borgnine is a bachelor Brooklyn butcher who, at age 34, is convinced he'll never find love, and then has to weigh the merits of a new romance against maintaining friendships with his moronic home boys.) B+


7. The Pink Panther (1963 comedy; Peter Sellers is famous French sleuth, Inspector Clouseau, bumbling his way through an investigation of a potential heist of a precious gem, the Pink Panther, owned by Claudia Cardinale, a princess.) C+

Thursday, March 13, 2014

Movie Review: "Omar"

"Omar": A-.  There is an old saying, "He who is not with me is against me."  If ever there was a region on the third rock where that axiom is part of the fabric of the culture, it is the West Bank.  The indigenous Palestinians are faced with Israeli occupation, and the ramifications of that status never leave the consciousness.  The title character in the movie Omar embodies shades of gray.  Whose side is he on?

Omar (Adam Bakri), Tarek (Iyad Hoorani) and Amjad (Samer Bisharat) are young Palestinian men who've grown up under the thumb of Israeli occupiers.  Tarek, the oldest of the trio by a few years, is the brother of young Nadia (Leem Lubany), the object of Omar's affection.  Tarek oversees the men's preparations for the planned sniper assassination of an Israeli military officer.  The time will not be right until Tarek determines that the marksmanship of Omar and Amjad is proficient enough to carry out the mission.  They do so with cool dispatch.  A daytime visitor to Omar's bakery would never suspect his Jekyll and Hyde personality.

Following the murder, the Israelis, who seem to know everything that is going on inside the Palestinian enclave, waste little time tracking down the general whereabouts of the threesome, who for unexplained reasons are deemed the primary murder suspects.  Only Omar is captured and tortured, but he won't rat out his two buddies.  A short time later, he is duped into saying to a wired fellow inmate, "I will never confess." Aha!  His Israeli captors, after hearing the recorded boastful proclamation, deem this to be the equivalent of a confession, and according to Omar's lawyer, the judge will concur.  The only way for Omar to avoid a ninety year prison term is to strike a deal with his "handler," Agent Rami (Waleed F. Zuaiter).  Rami gives Omar thirty days outside the prison walls to covertly assist the military police in bringing Tarek (and Amjad) to justice.

Once Omar is released from prison, his Palestinian friends aren't sure if he can be trusted.  How did he manage to gain his release on a murder charge in just a couple of days?  Omar tells them it was due to lack of evidence. Eyebrows are raised.  Can this be true, they wonder, or is Omar now a collaborator with the enemy?

Meanwhile, as if walking the fine line between his people and their arch enemy isn't enough, Omar struggles to keep his love affair alive with Nadia.  It is difficult for the young couple to spend any time together, as the separation barriers, which are ugly concrete barricades rising twenty-five feet from the ground, not only ring the border between the West Bank and Israel proper, but also segregate one West bank neighborhood from another.  Every time Omar scales the wall to get from his house to Nadia's, he risks being shot.

The plot thickens when Omar finds out that his buddy Amjad also has the hots for Nadia.  Since it was Amjad who actually fired the bullet that killed the Israeli soldier, Omar has tough decisions to make. Pressure mounts via Rami's periodic phone calls to remind Omar that his thirty days are running out.  Rami promises Omar that if he is returned to prison, Rami will make his life a living hell.

It is easy to see why this movie was one of the five nominated for the Best Foreign Film award at this month's Academy Awards.  The movie viewer comes away with a deeper appreciation of the distrust and hostility between the two factions, each of which believing their respective claims to the territory to be bona fide.  The West Bank residents have nowhere to go, and no voice in how their cities are governed.  The Israeli militia seems programmed to shoot first and ask questions later.

The acting by all the principal players, especially Bakri, Lubany and Zuaiter, is nearly perfect.  Lubany, who has beautiful ebony eyes, conveys coquettish charm as Nadia.  On the other hand, her face is a picture of concern that her fiance is a wanted man and possibly a turncoat.  Zuaiter, as Agent Rami, is Omar's counselor one moment, his tormentor the next.  Some of the middle scenes do tend to get repetitive, one of the few shortcomings of the film.

Things have not gotten better in the West Bank since the Six Day War of 1967.  One has to wonder if the situation will ever improve.  The parties' positions are entrenched.  In order to establish peace, reasonable minds have to come together.  But are we working with reasonable minds here, or is the level of mutual contempt too high?

Monday, March 10, 2014

The Old Boy Raises One In Honor Of Mike Smith

Today marks the sixth anniversary of the induction of the Dave Clark Five into the Rock And Roll Hall Of Fame.  To commemorate the occasion, I am posting an e-mail I wrote to my three kids and Momma Cuandito on March 8, 2008.

THE OLD BOY RAISES ONE IN HONOR OF MIKE SMITH

Hello Boys & Girls,

Imagine you are 16 years old, a high school junior. You grew up in the Chicago area.  When you were a 13 year old eighth grader you had the rug pulled out from under you when your family moved from Chicago to Iowa four months before you were to have graduated from the school you had attended since the first day of first grade.  Now, as a sixteen year old you are asked to move to North Dakota, a place your family used to ridicule when you lived in Chicago.  You do not want to relocate again.  You hated moving the first time.  You are being asked to start all over again.  You still miss Chicago.  In North Dakota you will be even farther away.  You think to yourself "Why not just shoot me now?"

When you get to North Dakota it is the third week of January, 1964.  The temperature is fifteen below.  Your new school has only four sports for boys, none of which is baseball or tennis, the only two sports you were pretty good at.  You are not a recluse but you are shy.  Your dream is Notre Dame, but you are only a junior.  Can that dream sustain you for a year and a half?  It seems like an eternity.  You need something in your life besides studying.

Fast forward two weeks.  There is a band from England that everyone is talking about.  They call themselves the Beetles, or as you find out later, the Beatles.  No one in North Dakota had ever heard of them before you arrived there.  Now their music is all over the rock stations of Minot, Regina and Winnipeg.  This is the one thing that you can experience with your new classmates on at least an even keel.  They know nothing more about the Beatles than you do.  In fact, as an avid listener to Chicago Top 40 radio since you were in fifth grade, you probably know a little more about music than most of them do.  This is cool.  Maybe living on the tundra won't be so bad after all.

You wonder what the Beatles look like every time you hear I Want To Hold Your Hand on the A.M. radio.  It is on the air all the time!  There is definitely a mysteriousness about them.  You listen to their music, but there are no published pictures of them, at least not in the Minot Daily News.  The fact that these guys are from England adds to the intrigue.    On February 9, 1964, the Beatles appear on the Ed Sullivan Show, a Sunday night variety show.  They open the show by singing All My Loving, Till There Was You and She Loves You.  The girls in the audience are screaming and crying throughout.  There are subtitles identifying each of the Beatles to the television audience because, in a way, they all resemble each other; it's hard to tell them apart.  When John Lennon is identified the screen reads underneath his name, "Sorry girls, he's married."  Ed Sullivan advises the audience that if they behave themselves, he will bring the Beatles back on later in the show.  No one in the audience or in television land really cares about the other guests on Ed's show.  They just want more Beatles.  Finally at the end of the show, Ed keeps his promise (as if he were ever not going to bring the boys back on), and they close the show with I Saw Her Standing There and the number 1 song in the country, I Want To Hold Your Hand.

During the next week, there is absolutely no one in school or on the radio who isn't talking about the Sullivan show and the Beatles.  Now more Beatles songs are being played, as people learn that the Beatles have been releasing records in the UK for the last two years.  Until now, those songs never made it to the US airwaves.  Industrious radio music programmers discover that, although the Beatles sound nothing like the Four Seasons or the Beach Boys, the two most popular American groups on the pop charts at that time, there were other British bands whose sound was akin to that of the Beatles.  The American teens crave the British sound, and the programmers are only too happy to oblige.

The UK band which most people associate with the Beatles as being the leaders of the British Invasion is the Rolling Stones.  That perception is certainly justifiable, as the Stones have stood the test of time and have been labeled by some as the "World's Greatest Rock And Roll Band."  However, in February and March, 1964, at the dawning of the British Invasion, when American teens craved as much Brit music as possible, there were actually two other bands who were the Beatles' main competition in the US more so than the Stones.  (The Rolling Stones did not have a Top 40 hit on the Billboard charts until July 1964, with Tell Me.)  One of those two other bands was the Searchers, like the Beatles another Liverpool band, who allegedly (according to some DJs) claimed that they were the equal of, if not better than, the Fab Four.  The Searchers' debut on the Billboard charts was in March 1964 with Needles And Pins.  History has proven that any claim by the Searchers of equality with the Beatles was only in their dreams.  For one thing, unlike the Beatles, the Searchers did not write their own material.  (Interestingly, the late great Sonny Bono co-wrote Needles And Pins.)  Also, the Searchers had only one top ten hit during their eight year existence, Love Potion Number Nine, which peaked at number 3 in early 1965.

Finally we get to the purpose of my little tribute...  The other UK band which, for that crazy time of the initial stages of the British Invasion, gave the Beatles some competition, was the Dave Clark Five.  The DC 5 was a five-man band from Tottenham, a London Suburb.  Their sound was distinct from the Beatles for a couple of reasons.  First, they featured an organ and a sax, neither of which was in the Beatles' format.  Instead of guitar solos for the song breaks, the DC 5 songs' breaks would often have an organ or sax solo.  Secondly, all four of the Beatles sang, but with respect to the DC 5 their lead vocals were handled almost exclusively by Mike Smith, the organist.  There was no mistaking Smith's voice, whether on a rocker or a ballad;  gruff, soulful and sincere. The DC 5 actually hit the Billboard charts with Glad All Over exactly one week after the famous Ed Sullivan Show in February 1964.  Although the DC 5 did cover some other artists' songs (as did the Beatles), most of their songs were written by members of the group, particularly drummer/founder Dave Clark and Mike Smith, thus putting them a cut above the Searchers.  Besides Glad All Over, other big hits for the band included Bits And Pieces, Can't You See That She's Mine, Because and Over And Over.  The number one thing which made these songs hits was not the members' musicianship.  (They were not in the Beatles' league either as songwriters or as musicians.)  It was Mike Smith's singing ability.  Only a very small handful of singers at the time were better, in my view.  Ed Sullivan thought enough of the DC 5 to invite them to be on his variety show approximately twenty-seven times, more than any other music act in the history of that show.

***

I found out on March 6 that Mike Smith died on February 28, 2008.  He had been paralyzed as a result of a fall from a security fence on his property in southern Spain in September 2003, and except for a very few days, had lived his life in a hospital since his accident.  Throughout his four and a half year ordeal, he remained upbeat beyond imagination.  He had many friends throughout the world both in and out of the music business, including Peter Noone (the "Herman" of the sixties Brit band Herman's Hermits) and Bruce Springsteen.  Mike Smith also kept a web page which you can find by Googling his name.  One of the saddest things about Mike's pasing is that the DC 5 is scheduled to be inducted into the Rock And Roll Hall Of Fame on March 10, and he had hoped to make the trip to NYC for the induction.  It's hard to believe that someone who had such horrible luck in the last years of his life could not have at least survived another ten or eleven days.

When you get to be an old codger like me you take notice when some things that may have formed you in your youth all of a sudden disappear.  Some examples.  I still remember exactly where I was on December 8, 1980 when I found out that John Lennon had been killed.  Last year when I was in Libertyville I took a walk down my old street, Cook Avenue, only to discover that the house in which I grew up was bulldozed so the new property owner could build a McMansion on the lot.  My high school class, the Class of 1965, did not receive a yearbook, and according to sources I trust, we are the only class in the history of the school to have that ignominious distinction.  The room I lived in junior year in Dillon Hall is no longer sleeping quarters, but instead is now part of a very large study lounge.  MHT, where I taught for eleven years, is closing its doors at the end of the current school year.  Now Mike Smith, a guy whose music I loved, is in that big concert hall in the sky.

If you read all of this you are a real trooper.  Maybe some of this explains why I am a pack rat.  In any event, I plan to hoist one in honor of Mike Smith the next time I quaff a cold one, and if some of what I wrote here made sense to you, I hope you'll do the same.  Thank God for your good health, and while you're busy planning for the future, appreciate the present.  Some day the present will become the past, and it 's not always easy to hold onto those memories you want to keep.

I love you all.  The Old Boy